Wednesday, September 4, 2013

Loom-woven Quilled Bag by Jan Zender

This is a rare piece of loom-woven work by Jan Zender. It was made in the mid-nineties. Inspired by original bags in the Great Lakes area, it features a rectangular bag of brain tanned leather, lined with a beautiful piece of cloth that looks like the design on it has been hand-blocked. All the beads are old ones. The outside seam of the bag is decorated in blue beads as well as the bags top opening. The strap is comprised of five strands of hand-cut leather strips decorated with white beads. There is a beaded piece at the top of the shoulder strap where the strap would rest on the shoulder. There are not many people that do loom work these days and Jan’s work is excellent in every respect and historically correct. It is very tedious work to weave quills on a loom and then apply the woven quill work to the bag. Finally there are two rows of brass cones with dyed deer or moose hair, one under each row of quills work. 

 





Copy and photos by Mark Sage. This item is available for purchase, contact Mark Sage.

Tuesday, September 3, 2013

Monday, September 2, 2013

Rifle by Ron Brimer









 





 Photos supplied by Ron Brimer.

Antique Blowing Horn

This horn belonged to the great, great, great grandfather of Bob Hills who went of the gold fields of North Carolina. He came back with this horn.






Photographed at the 2013 CLA Show by Jan Riser.

Sunday, September 1, 2013

David Wright Paintings

"A Moment Away"

"Coming in Under a Full Moon"

Quillwork Sheaths by Linda Pritchard

I am a relatively new quillwork artist and have visited the CLA show the last 3 years. Even though I am 63 I started getting serious about the art of quillwork in the last couple years an have done quite a few pieces. I use all natural dyes and try to stay as traditional as possible when constructing a quilled piece. While these two knife sheaths represent the Eastern Woodland design I have not seen any originals quite like these. The smaller one on the right however was taken from an "Iroquois" design but whether or not it was ever used as a knife sheath design is questionable.

The linen they are laying on is also natural dyed with Queen Anns Lace.

Copy and photos supplied by Linda Pritchard.

Teapot by Pat Jenkins





Photos by Jan Riser.

Needlework Sampler

Needlework Sampler, "MARTHA BRADLEY BORN JANUARY THE 31 IN Ye YEAR 1774 AGD TWELVE YEARS," Dracut, Massachusetts, 1786, worked in silk threads on a linen ground, with rows of alphabets over signature lines, surrounded by solid-stitched floral borders on three sides and lower geometric border, (background linen toned), 13 x 10 1/2 in., unframed. 

Note: Martha Bradley was the daughter of Amos and Elesebeth Bradley of Dracut, Massachusetts. 

Sold for: $7,110
Copy and photo from Skinner Auction.