Steve Lodding and H. David Wright have teamed up to create a spectacular engraved powder horn inspired by an
original in a private collection. The antique French and Indian War
period New York map horn, attributed to the "Pointed Tree" carver
contains a base plug that was uniquely painted with a scene of a gentleman hunting
birds over his dog.
Lodding, who made and
engraved the horn, used features of the "Pointed Tree" carver for
this horn. Wright painted the plug.
Steve started with a raw
horn; 16 inches in length was donated by noted horn maker, Tom Bowen (American
Tradition, July 2011). The completed horn with a 3 inch base plug
features a paneled throat and decorative raised rings. The horn surface is
completely covered with engraving of a map depicting New York to Lake Ontario
including military outposts, waterways, cities, and towns of the mid
1700's. Interspersed throughout are charming folk art images such as marching soldiers, windmills, ships, pointed trees,
several deer, and a dog chasing and a hunter shooting a deer. A fine
rendition of British coat of arms also adorns the horn. A cartouche is
included, as were on horns during the 18th century and it has been left blank
for a future owner to have his or her name engraved. To create even more
interest and artistic appeal, Steve polychromed the engraving with red and
green colors as were some of the very best map horns of the period, and then aged
it with a patina to give it a warm pleasing look of an old horn.
Multi talented gun maker,
horner, and all around talented artist, Steve Lodding has been a long time
member of the CLA. This is his third work of art he has created and
donated to the CLF Funding Raising Auctions.
Artist H. David Wright
painted the base plug. Using oil paint such as was used on the original wood
plug, Wright set about to copy the art as closely as he could - and also
to recreate the aged look of the old painted plug. While examining the original
plug, he found, through deterioration and chipped areas of the paint, it had
been underpainted with a white base coat – oil paint, or possibly a gesso
medium. So, to achieve the same appearance of the painted art, he used white gesso
as an underpainting medium and painted over that with oils - adding the glazes and
chipped off areas of the paint to replicate the age on the plug. To find a scene
painted on an antique powder horn plug is rare, indeed - let alone one of a
hunting scene which is very reminiscent of English works. A plug with a painted
scene of a hunter makes this powder horn an even more unique contribution to
this year's Live Auction.
Steve Lodding (patentbreech1@embarqmail.com)
H. David Wright (dw@davidwrightart.com)
H. David Wright is a charter member of the CLA and this is his third contribution to the CLF auctions.
Text by D Wright
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