Tuesday, July 3, 2012

Scott Shea Rifle

This fine flint lock longrifle is a reproduction of those guns that originated in the Blue Mountain region of Berks County area of Pennsylvania in the later part of the 18th century. Built on a piece of curly maple stained to a deep red, the rifle is trimmed in brass furniture and has a nicely aged patina finish to give it the appearance of a well maintained antique. The rifle is signed on the top flat of by contemporary builder Scott Shea.

The rifle is assembled around a .36 caliber by 42" long straight octagon Green Mountain barrel. The .36 caliber bore is cut rifled with eight lands and grooves with a slow twist for a tightly patched round ball. Green Mountain Muzzle Loading Rifle Barrels are machined from high quality American made bar stock, A.I.S.I. 1137 modified, stress relieved, annealed, certified rifle barrel quality steel. All barrels are drilled from solid stock, reamed to a high degree of smoothness, then optically checked for straightness. Very close tolerances are maintained.

Stocked in curly maple the wood has been stained and finished to a classic reddish tone to simulate a Madder Root oil varnish, or also sometimes called a "violin varnishes".

The buttplate has a modest curve to engage the shooter's shoulder. The buttstock is fitted with a brass patchbox that is fitted without the use of side panels. In their place the stock is decorated with a incised border forming lobes around the patchbox.

The rifle has been finished to appear aged, the wood has a few minor distress marks scattered across its surface while the brass furniture, though once polished bright, has been allowed to fade back and develop a slight tarnish.

The rifle has a 13" trigger reach. This shorter trigger reach is very common to rifles from this school of gunmaking. This school of style has a distinctive arc on the comb, from the toe to triggerguard and triggerguard to lock panel. A longer pull on this style of rifle makes it very difficult to maintain the correct architectural appearance. Weight is 6.6 pounds.

The buttstock has a very slender comb decorated with incised carving. A line of incised carving defines the transition from wrist to comb with a Fluer de Lys design. A similar Fluer de Lys design with a incised lobed border surrounds the flared tang of the breech.

From the breech forward the straight octagon barrel measures 42" in overall length. The barrel has been browned then rubbed back to give it a well aged appearance. The breech end of the barrel is signed S * Shea. The barrel is fitted with a classic Lehigh valley flat top rear sight dovetailed 9" ahead of the breech. A brass front sight is dovetailed 2-1/2" behind the muzzle.

This bottom view of the rifle shows off the brass toeplate and triggerguard that have been used on the gun. The toeplate is held in place by two small nails. Toeplates serve a protective role, guarding the delicate toe of the gun from damage when it comes into contact with the ground during the loading and cleaning stages of shooting. 

Moving forward along the stock the triggerguard can be seen. Properly pinned into position, as is traditional, the guard has a burnished appearance with a aged patina. 

Forward and out of the picture the tapered wooden ramrod is held in place by three brass ramrod pipes, one entry and two forward. All three pipes are finished in the same manner as the other brass on the rifle. Finishing off the stock is a brass muzzlecap that protects the end grain of the wood, much like the buttplate to the rear. A ramrod tip has been installed on the rod, threaded 8-32 it is ready to accept you loading and shooting accessories.

Finished to a aged brown to match the barrel, the small Siler flintlock has a crisp action and a well hardened frizzen. When using our best 5/8" knapped English gun flints, #FLINT-ENG-5, the lock will throw a shower of sparks into the pan. The single trigger is pinned high to provide good leverage against the sear.

Fast ignition is assured by the stainless vent liner, positioned well above the bottom of the pan, centered on the heat of the flash. If your flint longrifle suffers from that infamous slow whoosh-bang ignition delay, study the work of today's best gun makers, and position your vent well centered on the pan, high above the bottom, to serve as a window on the center of the flash.

A backside view of the rifle shows off the two brass sideplates that have been used on the rifle, a tear drop and a lozenge shape. The sideplates are decorated with a zig zag or "chicken walk" engraved border. The buttstock is shaped with a square cheeck and decorated with incised carving.

Our final look at the rifle shows off the small cheek of the gun along with the brass oval inlay engraved with a flowering star. Incised carving flows down from the wrist below the cheek and continues behind the cheek. 

Well made this fine Berks County longrifle has very good wood to metal fit with neatly executed folk art style carving and engraving, and a patina finish to give it a very period appearance. Assembled around a .36 caliber Green Mountain barrel, this rifle should have a very modest recoil.







Copy and photos from Track of the Wolf.

Siege of Boston Horn by Lee Larkin


Photos supplied by Lee Larkin.

Monday, July 2, 2012

CMB Interview with James Rogers: Part 2 Photos

This shoulder pouch was inspired by a bag shown in an 18th century German image by J E Ridinger (1698-1767). I have incorporated my own shell design into the layout and adjusted the shape of the body and flap to suit my eye.


A Civilian Shoulder Pouch ca 1700 as purchased from a colonial harness maker or saddler.

The button is an original late 17th century gasback style button. The buckle is all handmade by me and based on period originals from my study. The buckle is set to be worn across the chest of a right handed user, being reminiscent of the baldric style. The pouch is a very thin weight, all vegetable tanned calf that is used in double thickness so as to create"pouches" or veins for stuffing tow for form. This idea was taken from a 17th century bandolier type pouch. It has an internal divider so as to separate shot from ball as is written about in more than one 18th century account.









 Belt pouches seemed to be just as popular or in many cases more so in the 18th century and earlier. These examples are based on the shape of a belt pouch found in an early 18th century painting by Enoch Seeman of a gentleman hunter. They have an internal divider.



Small double pouch of vegetable tanned leather. Very roomy for the small space it occupies. Leather lined flap, rolled welts and bound edges. Edged, creased and burnished strap with brass buckle and iron tongue. The leather took a nice burnish, color and texture that exhibits a nice warm feel.





This pouch is constructed of fine calfskin. Approximate dimensions are 9 ½”W by 8 3/8” T.  Incorporates a gusset and is sewn with rolled welt edging. Entrance to main pouch as well as the two small inside pockets are rolled and sewn for appearance and ease of entry. The flap is hair on goat with calfskin lining. Edges are bound and sewn. There is a decorative scalloped top with contrasting colors. The 1” shoulder strap  is edged, creased and burnished and has a solid brass harness buckle with hand forged tongue



Photos supplied by James Rogers andR obert Weil.

Fire Bucket by Steven Lalioff

Photo supplied by Steven Lalioff.

Sunday, July 1, 2012

Bear Claw Necklace by Cark Merck






Powder Horn by Soirle MacDonald of Sartle, Isle of Skye

Powder Horn carved and decorated in Nova Scotia in 1786 by Soirle MacDonald of Sartle, Isle of Skye. It was presented to the 3rd Lord Macdonald. (On loan from Sir Ian Macdonald of Sleat.)





Photos by Dennis Glazener on his recent trip to Scotland.

Jean-Baptiste Assiginack, Model Canoe, circa 1820

Painted war canoes were once a familiar sight on the Great Lakes. This metre-long model was made in about 1820 by Jean-Baptiste Assiginack, a chief of the Ottawa (Odawa) Nation, as a souvenir for Europeans. The six carved and painted wooden figures (originally seven) have distinct facial features and represent real people known to Assiginack, among them a distinguished orator, a chief and a warrior. Assiginack provided the paddlers with leggings, breechcloths, garters, sashes and feather head-dresses; one even has a tiny pair of moccasins. The canoe itself is much older than any of the Museum's full-sized bark craft. Its painted decorations on both bark cover and wooden framework are of an unusual type that is very rare in ethnographic collections. Jean-Baptiste Assiginack, who adopted his French forename when he became a Christian, assisted the British cause in the War of 1812 and later acted as interpreter for the British Indian Department at Drummond Island in Lake Huron. Born in an Ottawa village in Michigan in 1768, Assiginack died on Manitoulin Island in Georgian Bay in 1866 at the age of ninety-eight.

People in the canoe are Mookomaanish (aka Little Knife), Blackbird, Cub-Bear, Bird of Day, Clap of Thunder at Night, Craw-Fish.










Copy and more image from Canadian Museum of Civilization.