The image of the Native American is based upon an engraving of the Seminole leader, Mico Chaluca, (Mico translates to 'king'). This image first appeared as an engraving in the book, "Bartrum's Travels", published in 1791. Since that publication there have been several renditions of this image. I based my folk-art tavern sign on an engraving that appeared in the "Lancaster Calender", circa 1818. By that time, Mico Chaluca was forgotten and his image was considered generic. In the 1818 publication, his image was titled, "Ticumseh". SML
When Robert Weil started collecting images for the Contemporary Makers book in 1973 the challenge to record contemporary gun work was daunting. Gathering material was difficult and time consuming. Few makers thought that there was any value in published documentation of their work. Electronic publishing has changed all that. Having a website or having one's work available to view on the internet is becoming a necessity. In spite of all the potential to finally have a true overview of what's being produced by the artists of today, a great deal of work still remains covered up and basically unknown. Our role is to make an effort to document some portion of what’s going on today. To comment on the established makers and to uncover the unknown. We welcome your comments and suggestions and look to you our readers to make us aware of the talented makers out there. Art and Jan Riser Robert Weil and The Makers
The image of the Native American is based upon an engraving of the Seminole leader, Mico Chaluca, (Mico translates to 'king'). This image first appeared as an engraving in the book, "Bartrum's Travels", published in 1791. Since that publication there have been several renditions of this image. I based my folk-art tavern sign on an engraving that appeared in the "Lancaster Calender", circa 1818. By that time, Mico Chaluca was forgotten and his image was considered generic. In the 1818 publication, his image was titled, "Ticumseh".
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