Contemporary Makers: Simeon England

Tuesday, May 26, 2020

2020 CLA Live Auction: PIPE TOMAHAWK By Simeon England, Mike Miller, and Kyle Willyard

Length 21 1/2" Head 5 1/2" tall.

The name tomahawk is a combination of tribal and English words. Algonnquin and Renapepeoples called their lightweight axes "tamahak," "tamahakan" European Americans pronounced these words as "tomahawk." They liked the size and weight of the original tool, but made their own adaptation by replacing the stone heads with iron heads having steel blades. Tribes who had never seen a tool with a wooden handle and metal head called it a tomahawk, adopting the European American's term.

In the early 1700s, Native Americans or European Americans adapted the original tomahawk into a new form known as the pipe tomahawk. The original tomahawk is an Indian tool with a wooden handle and a metal blade. What differentiates a regular tomahawk from a pipe tomahawk is its head, which consists of a cutting edge on one side and a pipe bowl on the other. Pipe tomahawks could be used for smoking and chopping when necessary, but they usually were more symbolic than practical.

Pipe tomahawks also are a mix of Old World and New World products. The majority of these tools were made in North America. Their handles are of native woods and their axe blades were metal. Blades were usually iron with a steel cutting edge or, if not intended for cutting, they were made of brass. Some of the heads and handles were decorated with silver, pewter, lead, brass, and copper inlays.

European Americans traded pipe tomahawks with native peoples during the fur trade era, from about 1650 to 1870. European Americans also presented pipe tomahawks as gifts in diplomatic agreements and treaty signings with tribes. Joseph Brandt was painted with one in his 1776portrait by George Romney; Tecumseh had one presented to him by Colonel Proctor. Lewis and Clark took 50 pipe tomahawks with them on their 1803-1806 expedition to trade or present as gifts.

When three noted CLA blade artisans get together on a project, it is certain something special will result. This year Simeon England, Mike Miller and Kyle Willyard have produced an outstanding pipe tomahawk. Historically correct in its features and embellishment, this is a significant display of exceptional work of these three talented artists.

As you can see from the photos, this pipe tomahawk is created with the correct architecture and materials. The knife inlay on the right side of the blade on the hand forged head is historically correct, appearing on an original pipe tomahawk attributed to John Small of Vincennes. Sterling silver has been used for the haft cap, mouthpiece and inlay and the engraving is ‘top drawer’. The haft is a fancy piece of curly maple and features a flange for a wrist strap. Look closely at the attention to detail, including the engraved silver mouthpiece and the carved wood clean-out plug.

The CLF Live Fund Raising Auction has a history of offering fine presentation pipe tomahawks, but they do not come up every year. This is one of that select group and this year is your chance to own one.

Simeon England: <simeonengland@gmail.com>

Mike Miller <riflemaker@aol.com>

http://www.millerlongrifles.com

Kyle Willyard (Old Dominion Forge) <kwillyard@earthlink.net>

http://www.olddominionforge.com

Wednesday, August 7, 2019

2019 CLA Live Auction: Saga of the Longknife by Matthew Fennewald, Josh Wrightsman, Eric Ewing, Todd Daggett, Mike Agee, Alec Fourman, Simeon England, and Tad Frei

One of the keystone offerings of this year’s CLF fundraising auction is the collective creation of eight CLA member artists. Christened the Saga of the Longknife by its creators, this piece constitutes a stunning, mixed media sculptural set composed of superbly executed, functional art.

The entire set is created around a folk-art carving by artist Matt Fennewald, who used a mix of woods – including pecan, walnut, and cherry – to assemble the body of the sculpture, which is scaled to the size of a young frontiersman. Affectionately nicknamed “Wilbur” by his creator, the carving was given a hand-rubbed finish of wax, tar, and shellac.

The rifle which accompanies the Saga of the Longknife set was created by gunsmith Josh Wrightsman. Although this rifle is loosely based on original Virginia guns, Wrightsman imparted the finished piece with his own artistic sensibilities. Built around a .40 caliber, 34" Rice B-weight barrel, this rifle is stocked in walnut and fitted with a Chambers Queen Anne lock. The iron furniture was entirely hand-forged, and beautifully contrasts the richly-finished walnut stock. For a gun builder, Wrightsman was tasked with a difficult balancing act. “The most difficult part about this gun,” he explains, “was that it needed to be a certain size”: small enough to fit a 6-year-old, but simultaneously suitable for a grown man. “I wanted a gun,” says Wrightsman, “that the new owner would want to use every time they went shooting.”

Todd Daggett created the Saga knife, hand forging the blade from an antique buckboard seat spring. The antler handle sports a cast pewter bolster. For optimum strength, the tang is peened over an iron washer as well as pinned. The knife is accompanied with a sturdy sheath crafted from buff hide scraps, hand-stitched with whitetail sinew, and the tip is decorated with antique brass tacks.

Simeon England hand forged the hammer-polled tomahawk based on original eighteenth century examples. “It displays whiting and polishing of a gunsmith or whitesmith,” explains England, and carries file work and facets reflective of original colonial examples. The head of the tomahawk was hand forged out of mild steel, and features a forge-welded, high-carbon steel bit. The handle is made from beautifully patterned curly ash, stained with nitric acid.

Eric Ewing assembled an exceptional shot pouch using a wide array of materials. The bag and strap is made from a mix of skins including bark-tanned groundhog, alum-tanned groundhog, brain-tanned deer, and vegetable-tanned cowhide. Ewing utilized his own homemade concoctions to give this piece a well-aged patina.

“Wilbur’s” powder horn was created by Tad Frei, who describes the piece as a “fancy common man's horn.” Crafted from a small cow horn, Frei’s piece features charming folk art scrimshaw that “reflects a bit more aesthetic concern than we typically see on utilitarian accoutrements” Fitted with a pine base plug and a tapered spout, Frei’s diminutive horn is appropriately scaled to the Saga set but remains fully functional.

The carving is dressed in period-appropriate garb also crafted by Matt Fennewald. “Wilbur” is dressed in a wool blanket coat, rawhide leggings, and brain-tanned garters. His footwear consists of a set of pucker toe moccasins made by Alec Fourman, who utilized brain-tanned, smoked, and aged deerskin.

The entire Saga set is topped off by a quintessential broad-brimmed frontiersman’s hat by Michael Agee. The hat is round blocked fur felt. Agee custom made the lathe-turned block, which, he explains, “was done to nearly all hats prior to 1820.” Agee added splash of color with a hat band, which was made from red wool stroud. The hat’s inner lining is made of hand stitched linen, which was then stamped with a period style maker's mark.