I was inspired to build this piece based off an mid 18th century advertisement. Stub twist .62 bbl, 9' of silver wire, and a butt stock bayonet I forged and made the mechanism for the buttplate.
Scottish style basket hilt of my own design forged from 5160 with a welded brass basket and carved mahogany handle. Baldric made from heavy veg tan leather and stained with homemade iron acetate.
Copy and photos supplied by Andy Hodgkins at Black Dog Arms.
This is a slim 20ga smooth rifle I built for my brother in celebration of his recent graduation from engineering school. Combining both English and Germanic influence, family heritage, some fraternal symbolism, and a really nice piece of maple I think makes one fine sporting arm.
"A special thanks to Cousin Dave Silversmith for his outstanding contribution"
This is my recent interpretation of a European trained gunsmith (possibly Bavarian) working in colonial America, in the years leading up to the F&I war. I attempted to look at rococo from a baroque point of view assuming an experienced gunsmith was trying his hand at carving in the newer fashion yet still retaining the roots of his training. This I think blended old parts with new art and some charismatic flair thrown in creates a rifle with an interesting yet a business like personality in the game taking 58 cal.
This is a 40. cal small game rifle. I used a blend of influences for inspiration, a little Beck, some Beyer, and some of my own design. It ended up at just over 6lbs.
Copy and photos supplied by Andy Hodgkins from Black Dog Arms.
This is a Germanic style smoothbore inspired by a piece made in Suhl 1741. I tried to use various materials to complete it and purchase a little as possible. Only the barrel, lock, and trigger guard aren't hand made. The ram rod pipes and release button are deer antler, elk antler muzzlecap, forged butt plate and side opening wood box as per original.
When Robert Weil started collecting images for the Contemporary Makers book in 1973 the challenge to record contemporary gun work was daunting. Gathering material was difficult and time consuming. Few makers thought that there was any value in published documentation of their work. Electronic publishing has changed all that. Having a website or having one's work available to view on the internet is becoming a necessity. In spite of all the potential to finally have a true overview of what's being produced by the artists of today, a great deal of work still remains covered up and basically unknown. Our role is to make an effort to document some portion of what’s going on today. To comment on the established makers and to uncover the unknown. We welcome your comments and suggestions and look to you our readers to make us aware of the talented makers out there. Art and Jan Riser Robert Weil and The Makers