Despite the passage of centuries, mankind, at his core, remains
the same. Life in the 18th
century could entail some pretty serious work, but everyone eventually needs
get away from it all. Long before he
penned the Declaration of Independence, Thomas Jefferson was a hard-working
Williamsburg attorney who managed a veritable mountain of court cases. But on April 14, 1769, Jefferson recorded his
expenses for a little harmless diversion: he paid 7 shillings and 6 pence “for
seeing a puppet show.”
Virginia artisan Dale Powers has crafted a truly unique offering
for this year’s CLF fundraising auction: a full articulated 18th century puppet. “The origin of the
Dancing Man,” explains the artist, “can be traced to France during the 16th century. They were known throughout Europe as Poupées à la. In America, by the 18th century these puppets became popular in Appalachia. They were created on the
frontier as toys.”
Powers’ reproduction is crafted from hand-carved Appalachian
white pine and measures 3” wide and 10 ¼” tall.
The artist painted the puppet with a subdued color palette and then
subtly aged the piece. Appropriately
enough for a frontier toy, the puppet’s eyes and nose are made from white tail
deer antler. The finished product is a
charmingly well-executed example of early American folk art. It’s perfectly well suited for the junior
reenactors at your next living history event, or as a display piece in your
collection of primitive Americana.
For more information on the work of the artist, contact:
Dale Powers
540-290-2073
Text by Josh Shepherd with photos by G Barlow
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